Vincent photographer city tiltshift manual#
Vincent photographer city tiltshift full#

'The reaction has been phenomenal,' Laforet said. It was nearly impossible up until recently to fly at the height Laforet did without taking blurry images, but with today's camera equipment and a skilled artist behind the lens, photography can now produce pictures far more glorious than what the naked eye comprehends. 'The technology has reached a level in the past year where you can finally shoot a frame that's really clean,' Laforet said. The tasks required to pull off an assignment like 'Night Over New York,' is second nature to him today, but it hasn't always been easy to snag such gorgeous photography. The daring feat required to capture that bird's eye view is far from a chore for Laforet after two decades in the industry. The Most Amazing Aerial Photos of New York Ever Taken, Period 'When you take that bird's eye view you really end up with some profound work.' 'Aerial photography is one of those tools that makes you feel much more connected because you have a much broader understanding of how everything is interconnected than you do on the ground,' Laforet said of the shoot. In other images, busy city streets appear as an electrifying array of arteries that make up the street grid within Manhattan. Thanks to the use techniques such as tilt-shift photography, some of the New York skyscrapers look like tiny illuminated Lego blocks. It took about a week's time to get clearance from the FAA and air traffic control towers for his most recent flight, Laforet said. The helicopter actually hovered above the air traffic heading to the city's local airports.

Vincent photographer city tiltshift full#

Even with a full body harness and several anchors, you still think about that fall.'Īs you can see in the gallery above, the results have culminated in a breathtaking collection of work that captures scenes of Gotham from an altitude of 7,500 feet. 'You're literally hanging off the side of a helicopter above an incredible expanse. it's a combination of wonder and fear,' Laforet told AOL News.

Men's Health magazine commissioned the Pulitzer Prize-winning photographer with the unique opportunity to snap pictures of Manhattan aboard a helicopter for an upcoming article. Just a few words that barely describe the magnificence of Vincent Laforet's latest project that took him thousands of feet above the iconic New York City skyline to capture some astonishing images. Although this was my first time shooting with the tilt shift, I feel this lens/camera combination is a real game changer.This content is not available due to your privacy preferences. You have focus peaking in live view and when looking through the viewfinder. This is a huge advantage I feel that the Sony A7 cameras have over most DSLRs.

Vincent photographer city tiltshift manual#

It's super hard to focus with a tilt shift since its full manual but the Sony A7SII has focus peeking so it was relatively easy to catch focus when you're flying over New York City at about 100 knots. Most of the shots I took didn't come out but this was one of the few that I liked of the Brooklyn Bridge. Not only was this the first time I took this lens in the air but it was the first time I got to use a tilt shift ever, so I had almost no idea what I was doing. I've been a huge fan of Vincent Laforet's aerial tilt-shift photography, so I was genuinely looking forward to giving this a try. One of the things I was most looking forward to was using it in the air. Sony doesn't make a tilt shift lens so I had to look for a Canon lens which I ended up getting a really good deal on Ebay. After seeing my buddy, Efrain, shoot a ton of sick photos with a tilt shift while walking around Cuba, I was fully motivated to get my own. For years I've wanted to mess around with a tilt shift lens.